Superheroes

As a sworn non-Trekkie who generally detests science fiction, I was awaiting Star Trek with some trepidation. Could I take a story seriously which claimed that the evolution of languages on other planets had so exactly matched our own that their inhabitants spoke a perfect North American vernacular? Could a film about non-existent creatures with squashed-up faces who seem bent on destruction for destruction’s sake really hold my attention for a whole two hours and seven minutes?

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The first in series of planned prequels to the original X-Men films, Wolverine traces the violent history of the titular mutant whose knuckles conceal sharp, lethal blades. An aggressive marketing campaign will no doubt attract Marvel readers in droves, but viewing figures threaten to peter out when audiences realised they’ve been conned into watching what is merely a bland and unnecessary money-spinner.

The story begins in 1840 in the Northwest Territories of Canada, where a young Logan (aka Wolverine)  unwittingly kills his father and later throws himself into the turbulence of war. As it happens, Canada wasn’t founded until 1867, but why let historical accuracy get in the way of a ‘good’ plot?

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It’s ten minutes to midnight.

Released over twenty years ago between 1986 and 87, to say that Watchmen was an influential success would be a pretty epic understatement. It cemented Alan Moore’s reputation as a writer in the graphic novel medium and since then, more than a fair few of his graphic novels have (much to his chagrin) been adapted for the big screen, most notably V For Vendetta, The League of Extraordinary Gentlemen, Constantine, and Jack the Ripper conspiracy theory yarn From Hell. His treatment of the Joker in his celebrated Batman one-shot The Killing Joke, is widely cited as being a major influence on both Tim Burton’s 1989 movie, the subsequent Batman animated series, and recent outing The Dark Knight.

No Watchmen, no Heroes. Simple as.

The comic book is set in an alternative universe where superheroes exist – it is 1985, and the Cold War is on the verge of becoming a very, very hot one.

In this universe, the USA won the Vietnam War, and Watergate never happened – Nixon is still the President. The West is defended by a small elite corps of licensed superheroes, the most powerful of which, Dr. Manhattan, has given the States an edge over the Soviets. However, things take a turn for the worse – the story begins with the discovery that The Comedian, an ultra-patriotic American superhero is found dead, having been hurled several stories from his apartment.

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Anyone expecting the standard superhero CGI-endowed spandex suit romp should take note of the title; they warned you up front that this film was going to be dark. And at nearly 3 hours long, The Dark Knight certainly feels like a long, dark night of the soul.

The film comes lumbered with the albatross of the much documented and unfortunate passing of actor Heath Ledger, who practically steals the show as the Joker – at times the film feels like Silence of the Lambs in that it is dominated by the presence of a character whether he’s on screen or not. And, like Dr. Lecter, the Joker knows how to put stationary to effective use and how to win an audience over via sheer charisma and an arsenal of wisecracks. “What doesn’t kill you makes you stranger,” he quips.

With a plot as winding and labyrinthine as the corridors of Gotham’s own Arkham Asylum, the follow up to 2005’s Batman Begins is a relentless and intelligent superhero movie that demands your attention.

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Having been maligned by many reviewers upon its release a few weeks ago, the DVD Rental crew weren’t expecting much from Hancock, the latest Will Smith sci-fi action outing, but we left our local cinema pleasantly surprised.

Vigilante superhero crimefighter John Hancock (Smith) can fly, pick up cars, stop trains with an outstretched hand, is impervious to bullets, beatings, rocket propelled grenades, but is unloved by his public, who repeatedly refer to him as ‘asshole’, as his actions invariably cause more damage to his adopted hometown of LA than the criminals he sets out to apprehend – think the first five minutes of Team America: World Police and you’re kind of on the right lines. He is also an alcoholic smartarse.  ‘I can smell the liquor on your breath,’ snaps one irate rescuee. ‘Well, that’s ’cause I’ve been drinking, bitch.’

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The latest instalment in the Batman movie franchise is arriving on screens this month, and is shaping up to be one of the biggest movie titles this year, despite its release being both delayed by the WGA writer’s strike and overshadowed by the tragic passing of Heath Ledger, whose ragged and anarchic take on Bruce Wayne’s arch nemesis the Joker has already galvanised interest – his powdered face and lipstick-smeared mouth appeared over the internet like rash as part of a viral campaign last year.

The Dark Knight follows on from 2005’s Batman Begins, and is not, as was briefly suggested, a movie adaptation of Frank Miller’s successful The Dark Knight Returns graphic novel mini series.

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With the second season of the hit sci-fi serial Heroes due to touch down on BBC2 anytime soon, everything Heroes-related has been flying off the shelves like hotcakes of late.

According to our sources, the Season 1 box set has been one of the most requested items on customers wish lists, as subscribers have been keen to take advantage of the fact that multi-disc box sets (sensibly) only count as one order, and those on unlimited plans can keep hold of an order for as long as they want. (more…)