Based on a True Story

We are all fat, lazy and complacent. We use television as a way of switching our minds off to what is going on in the world around us. The media has great potential to educate, to promote political debate, to bring about justice, yet we are contented with air-headed trash if it brings in a few bucks through advertising.

This is the message that Edward Murrow gives to a room of CBS employees in 1958, but one that could apply equally today. In his second film as director, which was shot when the ‘war on terror’ was in full swing, Clooney offers a rebuke to contemporary US journalists who lose sight of the truth because they are too concerned with appeasing advertisers and the government. Clooney can’t be accused of falling into this camp: he was paid $1 each for writing, directing, and acting in the film and even offered to mortgage his house in order to fund it. Clooney would have been familiar with newsrooms of this era because his father was a news anchor for some 30 years.

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Neglected by her mother, a street singer in the seedy Paris district of Monmartre, and abandoned in a brothel by her circus performing father, Edith Piaf (played by Marion Cotillard) learned to grow up fast. She was blind for much of her childhood, but according to one account miraculously regained her sight during a pilgrimage honouring Sainte Thérèse de Lisieux, an event that the film portrays with the same realism as documented fact. Singing in the street one day, she was spotted by an impresario and soon became one of Europe’s best loved stars and a French icon. She was less than five feet tall, earning her the nickname ‘Little Sparrow’, and had a string of affairs with famous men such as the actor Yves Montand and middleweight boxing champion Marcel Cerdan. She drank till she could no longer stand, injected herself with morphine, contracted crippling arthritis and met an early death in her forties.

What a life, and one that director Olivier Dahan does not attempt to sweeten. In fact the “emotional journey” he takes us through is nothing short of tragic. Flitting dizzily between key events - stunning performances in 1940’s New York, a childhood characterised by loneliness and abuse, car crashes in California and the onset of liver cancer - Dahan’s approach is fragmented and disorienting, reflecting Piaf’s inner turmoil and public demise.

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The Counterfeiters (Die Fälscher), from Austrian director Stefan Ruzowitzky, tells the true story of concentration camp Jews who escaped the gas chambers by counterfeiting for the Nazis. The film is based on a memoir written by Adolf Burger, a Jewish Slovak typographer who was imprisoned for forging baptismal certificates to save Jews from deportation and later interned at Sachsenhausen.

In 1942 the Nazi’s launched Operation Bernhard, which aimed to flood the economies of their enemies with millions of forged British pound and US dollar notes, whilst bolstering their own flagging war chest. And who better to do it than the Jews, whose payment was their life, as long as they were needed? So, in the world’s largest ever counterfeiting scam, dozens of Jewish printers, typographers and a few ex-cons in the Sachsenhausen concentration camp were set to work on the forgery of some £130 million. At the helm was Salomon “Sally” Sorowitsch (Salomon Smolianoff in real life), played by Karl Markovics, who had lived the highlife as a professional counterfeiter before his six year ordeal in the concentration camps. “Why earn money by making art?” he asks one person. “Making money by making money is so much easier.”

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Set in Communist Romania in the final years of the Nicolae Ceauşescu era, 4 Months, 3 Weeks and 2 Days tells the harrowing story of two female students who try to arrange an illegal abortion, 20 years after the practice was outlawed so that Ceauşescu would have more subjects to rule. Directed by Cristian Mungiu, it won the Palme d’Or and the FIPRESCI Award at the 2007 Cannes Film Festival. Mungiu based the film on a real story he had heard which he said “still affected me after more than 15 years”, and which had been repeated countless times among young Romanian women who turned to the black market to avoid the indignity and poverty that would accompany single motherhood. The film cost just $600,000 to make and forms part of a planned series of stories from Romania before the fall of the Iron Curtain, called Memories from the Golden Age.

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Watching Renee Zellweger scribble frantically into a notebook whilst musing to herself in characteristic British staccato, you could be forgiven for thinking you’d stumbled upon another Bridget Jones sequel. But whilst Brigit and Beatrix may share some character traits, the latter emerges as a brilliant, headstrong woman whose continual struggle against her restrictive upper-class background pays its returns.

Set in turn of the century London, Miss Potter begins in the publishing house of Frederick Warne and Sons, where Beatrix is hoping to secure a contract for her first book, ‘The Tale of Peter Rabbit’, after several failed attempts with other establishments. The proprietors decide to take her on as a first project for their younger brother, Norman (Ewan McGregor), who is looking for a leg-up into the industry. Far from dismissing Beatrix’ tale as no more than childish scribbling, as do his brothers, Norman is as fascinated by her illustrations as she is and helps to propel the book into the bestseller lists. Beatrix strikes up a friendship with Norman’s sister Millie (Emily Watson) and eventually Norman proposes, much to the chagrin of Beatrix’ snobbish parents who shudder at the thought of their only daughter marrying into “trade” and insist the engagement be kept secret.

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Once seen as a respected institution of Western movies (and Dirty Harry), Clint Eastwood, now 78, has revealed himself to be an adept storyteller who just gets better and better with each new release. Like his 2006 war film Letters from Iwo Jima, Changeling is a provocative and relentless film that looks on the past with coldness and suggests the present has learnt few lessons from it. Child abuse and infanticide feature heavily, but really act as a prism through which the central themes of real-life police corruption and the disempowerment of women are played out with brutal force.

Meticulously researched by the former journalist and Babylon 5 creator  J. Michael Straczynski, who lifted most of the screenplay directly from court records, Changeling is the factual account of a mother whose young boy disappeared, and of a corrupt Police Department in 1928 Los Angeles that would go to any lengths to save its own skin.

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Directed by celebrated painter Julian Schnabel, The Diving Bell and the Butterfly tells the remarkable tale of Jean-Dominique Bauby (Mathieu Amalric), the 43-year old Parisian fashion editor and playboy who, at the zenith of wealth and success was paralysed by a stroke and suffered from “locked in syndrome”, where he is alive and conscious but unable to communicate with the world.

Bauby wakes up in hostpital from a coma to find himself paralysed from head to toe and unable to speak. The only part of his body he can move is his left eyelid, which he uses to communicate. The pretty speech therapist (Marie-Josee Croze) recites the alphabet in the order of most frequently used letters, and Bauby chooses a letter by blinking. Thus, letter by letter, blink by blink, he ‘dictates’ his extraordinary memoir on which this film is based.
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The beguilingly titled Balzac and the Little Chinese Seamstress is based on writer/director’s Dai Saijie’s best-selling autobiographical novel of the same name. Set in the Chinese Cultural Revolution during the 1970’s, the film centres around two adolescents who have committed the sin of being born to “reactionary” parents – doctors who dared to suggest that Chairman Mao might not be entirely perfect. On account of their background, the boys are sent on a rural “re-education” camp where they are to learn the virtues of Maoist thinking and hard work, which includes much lugging of human excrement up a hill.

However, their gruelling stay is brightened by meeting the captivating daughter of the local tailor, known simply as the Little Seamstress (the boys never bother to find out her actual name). An uneducated peasant, the two bourgeois city-boys seek to open her mind through forbidden Western novels which they have stolen from another member of the camp — classics from the likes of Dickens, Flaubert and, yes, Balzac, the Little Seamstress’ favourite. The boys also read “The Count of Monte Christo” to the old grandfather, which inspires him to add many elegant details to his garments.

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Seasoned action man and all-round geezer Jason Statham (Collateral, Snatch) and Saffron Burrows (Frida, Deep Blue Sea) star in this comic thriller documenting the 1971 robbery of the Baker Street branch of Lloyds Bank. Oddly enough, the robbers’ walkie-talkie conversations were recorded by a radio ham, but when he reported the incident, no action was taken…

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Control is the beautifully shot biopic of Ian Curtis - the frontman for the short-lived but immeasurably influential post-punk group Joy Division - the screenplay of which is loosely based upon the widowed Deborah Curtis’ memoir Touching from a Distance.

As such, the film documents the slow-burning rise of Joy Division, playing numerous toilet venues before being lined up for a two-week American tour, which is inversely paralleled by Curtis growing illness, withdrawal from his surroundings and eventual death.

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