Shanghai Dreams (Qīng Hóng)
Thursday, January 29th, 2009
During the 1960’s Chairman Mao’s government moved countless Chinese workers, along with their factories, to the countryside of Western China in to form a ‘Third line of Defence’ in case of a Soviet invasion.
Cut to the 1980’s when China started opening up to the West under Deng Xiaoping’s social and economic reforms. Many factory workers wanted to move back to the big city, often against the wishes of their more settled children. Director Wang Xiaoshuai came from such a family himself, and in Shanghai Dreams he gives a fascinating portrait of life in China’s factory towns in the 1980s, which engages as much with the political upheavals of the era as it does with the universal theme of intergenerational conflict.


There can’t be many film lovers today with more than the haziest memory of the Red Army Faction, otherwise known as the Baader-Meinhof gang, a left-wing terrorist group operating in West Germany during the late 60’s and early 70’s. But on watching The Baader-Meinhof Complex there will be many who can identify with the feverish tension of the era, and the fear that temporarily gripped a nation.
Last night in Hollywood this year’s Oscar nominations were announced, with several British films coming up trumps.
Once seen as a respected institution of Western movies (and Dirty Harry), Clint Eastwood, now 78, has revealed himself to be an adept storyteller who just gets better and better with each new release. Like his 2006 war film Letters from Iwo Jima, Changeling is a provocative and relentless film that looks on the past with coldness and suggests the present has learnt few lessons from it. Child abuse and infanticide feature heavily, but really act as a prism through which the central themes of real-life police corruption and the disempowerment of women are played out with brutal force.
Based on the hugely popular novels by Swedish crime writer Henning Mankell, this three part series stars Kenneth Branagh as the eponymous police inspector Kurt Wallander, and is arguably the best crime drama that British TV has seen since Inspector Morse.
Danny Boyle’s Slumdog Millionaire, which cleared up at the recent Golden Globe and Critics Choice Awards, is a winning ‘rags to Raja’ drama set in contemporary Mumbai.
Based on Somerset Maugham’s 1935 novel of the same name, The Painted Veil has all the melodrama of a Merchant Ivory classic. But despite picture-postcard backgrounds from the heart of Guangxi province, a racy plot and two solid leads, the film feels clinical and distant.
Keira Knightley continues her reign as period drama queen in this tale of pomp and passion, but director Saul Dibb’s obsession with bedroom antics detracts from the extraordinary political savvy and social concern which marked the life of the real life Duchess of Devonshire.